their song ‘Never Too Late’ is to be featured on the forthcoming

Through an industry song search held at this year’s international Midem
conference and hosted by Activision (the company behind Guitar Hero 3
and other huge games such as Tony Hawk Project 8, Call Of Duty and
X-Men), The Answer won the vote from over 200 internationally submitted
label and publisher artist tracks to have one of their tracks included
in the cult game. The present game, Guitar Hero 3 currently features
songs from such legends as Iron Maiden, Slayer, Muse, Guns ‘n’ Roses,
Weezer and Rage Against The Machine. Come the summer hordes of front-room
axe-wielding wannabes will now be trying their hand at this riff heavy
classic from their debut 100,000 selling album ‘Rise’.

The search started with music companies at the recent MIDEM conference
putting forward their bands for possible inclusion. Out of the hundreds
of hopefuls, 20 were selected by Activision at a conference ‘Listening
Session’, where the tracks were played to an esteemed panel consisting
of leading worldwide industry executives.

Says James Cassidy, UK head of Alberts, “This is a tremendous honour
and privilege for both The Answer and the Alberts label. With a new album
due later this year we look forward to taking the band to a whole new

Elsewhere, The Answer’s international success continues to build and
after a great year in Japan, they were voted as the No.2 Best New Artist
2007 in Player Magazine's readers pole. The No.1 is a domestic act,
therefore rendering The Answer effectively the No.1 international band for
Best New Artist – ahead of KT Tunstall, Mika and The Fratellis! Not
bad for four lads from Northern Ireland who without radio support have
built a worldwide reputation like no other debut act.

2007 was an incredible year for The Answer who supported Aerosmith, the
Rolling Stones and The Who to name but a few. With their profile
continuing to grow and with a new album currently being written, 2008 will
see them reach the dizzying heights of superstardom that they deserve.

“It’s all here: fretboard-shredding solos, jet engine vocals, a riff
which will propel the internal Beavis and Butthead of anyone with warm
blood into devil’s horn salutes. Marvellous.”
The Guardian